If you’re looking for a last-minute but thoughtful Father’s Day gift, you’re in luck. Today we’re sharing the Father’s Day Tie. This necktie takes just 36 grams of Deluxe DK Tweed Superwash!
I talk to my dad at least two or three times a week. He’s one of my best friends, and I feel so lucky for that. On top of that, my husband (and hesitant but equally gracious model for these photos) is a pretty fantastic dad to our dogs and cats. Yep – I am totally the kind of person who sees their pets as a ridiculously special part of my family.
Anyway, as we well know, Father’s Day celebrates all the great father figures out there. Yep, father figures – because it’s so important to recognize those that have played that role in our lives, regardless of a biological relationship. Whether that’s a spouse, friend, dad (or dog dad!), it’s important to take a moment to say thank you.
The Father’s Day Tie is knit flat primarily in linen stitch and features a spine of slipped stitches down the center. Paired with Deluxe DK Tweed Superwash, this accessory elevates an otherwise casual look. So what are you waiting for? Grab your needles and yarn and get started! You can find the pattern here (link).
You might remember that back in October I introduced the first post about my adventures in naturally dyeing our Superwash Merino Worsted Weight yarn. In that post (link), I gushed about how much I love the warm hues of autumn. Well, it’s spring now – though it certainly feels like summer here in Charlotte. That means it’s time to play with some yarns that are a bit more warm-weather friendly.
Today I’m using our soft and silky Universal Yarn Ready to Dye Merino Silk Sport Weight. It’s a gorgeous sportweight yarn with enough silk to make it appropriate for garments and accessories to throw over your shoulders on summer nights.
Whenever possible, I like to harvest dyes from the plants growing in and around my yard. I can choose what to grow, and there are endless ways I can experiment. Natural dyeing is, without a doubt, full of surprises, and you’ll understand what I mean when you see the results of my adventure with azalea dye.
I have a few azalea shrubs around my house. Just weeks ago they were full of brilliant pink blossoms, but now they’ve dried. I was plucking some weeds from my herb garden when it hit me: I have so many dried blossoms! Why not try to dye with them?
I grabbed a freezer bag and stuffed them full of the dried blossoms. Side note: If you use a freezer bag like I did (why didn’t I just grab a bowl?!), remember to simply rinse it and re-use it!
After collected my blossoms, I weighed them. I took into consideration the weight of the bag and ended up with approximately 37g. I could have collected more – I barely put a dent in my shrubs!
For today’s tutorial you’ll need:
1 skein of Universal Yarn Ready to Dye Merino Silk Sport Weight
Approximately 30-40g of dried azalea blossoms
Alum – you can find this in the baking/spices section of your grocery store.
Two stainless-steel pots that you don’t plan to use for cooking – I purchased mine for a few dollars at a thrift store.
Tongs – they don’t need to be stainless steel but choose some that you won’t use for cooking.
A kitchen scale – I can’t recommend this one enough. Although it isn’t essential, if you’re a knitter, you should have one! It’s useful for much more than dyeing.
Measuring cups/tablespoon
White distilled vinegar
Salt
Water
Step 1: Create a mordant and soak your yarn. You can find specific instructions for creating a mordant in my first post (link here). If you’ve been following along and have a jar of mordant already, simply reuse the solution.
Step 2: While your yarn is soaking, prepare your dyebath.
Fill your stainless-steel pot with enough water to allow your yarn to flow freely.
Dissolve 1 tbsp of salt into the water.
Pour ½ cup of vinegar into the water – salt and vinegar help to brighten the dye.
Add your azalea blossoms and use the tongs to stir the pot.
Bring to a simmer over your stovetop. Allow simmering for 30 minutes to an hour.
Lower the temperature so that the water is just under a simmer. If you want a specific temperature, you’ll want the water to be about 190 degrees F.
You can see that the dyebath turned into a rosy color.
Step 3: Remove your yarn from the mordant bath, gently squeezing the excess mordant from the yarn.
Step 4: Carefully place your yarn into the dyebath.
Step 5: Allow the yarn to soak in the dyebath for about an hour. Turn off the heat and set the pot aside. Do not remove the yarn yet.
Step 6: Allow the yarn to cool in the dyebath – I let mine cool overnight.
Step 7: Remove your yarn and rinse thoroughly. I recommend stepping outside and giving it a few vigorous shakes to remove the remaining plant matter.
Before I reveal the yarn, I want to take a moment to emphasize how surprising natural dyeing can be. As you can see, the color of the dyebath was initially pretty pink. After about an hour it looked much more like a silvery-purple. I was really excited about those results. Even when the water cooled it remained a deep purple.
So, you might imagine my surprise when I discovered that my azalea dye turned into this…
Isn’t it the loveliest shade of green? I’m over the moon about the results of this dye experiment, and I’m sure I’ll be using azaleas for dyeing again soon. The transformation is pretty stunning.
You may have heard that Mother’s Day is nearly upon us. It’s kind of hard not to know, as commercialized as this holiday has become over the years. But mothers do need to be celebrated so truly I’m glad for the reminder as the day approaches.
Over the years I’ve given a wide variety of gifts to my mom for this special day. I usually try to give her something handmade, because she’s my mom, and I know she appreciates the thought behind it. At this point in her life, I can think of all kinds of things she doesn’t really need. She doesn’t need a scarf or a hat or a sweater. She doesn’t need knick-knacks or other little trifles, though I’m sure I could find something that would amuse her. What she does treasure are memories.
I decided to make her a little something to hold these memories, and settled on a small woven pouch. My life is so busy it’s tough to find a spare moment. Weaving goes so quickly, especially on a rigid heddle, so this made it easy to decide how I would make the pouch.
For anyone wanting to duplicate this, here are the specs for my piece of woven fabric:
Sett: 10 epi/10 dent reed
Weaving width: 14″ (though I didn’t end up using the full width of my fabric in the pouch. You could easily get away with less width, depending on your desired finished pouch size)
I warped with Unity Beyond, using the direct method.
I then wove about 3 inches of plain weave with #109 Natural, switched to #107 Purple Fog until the last bit of warp, and then finished out with 3 inches of #109 Natural.
I cut my fabric from the loom, finished the ends with a machine zig-zag, and then washed and pressed my fabric.
For the pouch pattern, I roughly followed this very simple tutorial: (link). If you’re not super comfortable sewing, this would be a great project for you. And if you’re more experienced, this will be a total breeze.
Before getting to the sewing part, I had decided that I wanted to add a little personal touch. I had a little ball of Cotton Supreme in my stash that coordinated well, and decided on a little heart. My embroidery skills are quite rudimentary, so use your imagination to come up with something better than this!
One thing to keep in mind with handwoven fabric, is that your weaving will likely want to come apart if you cut into it. Handwoven fabric, especially using handknitting yarns, does not have as high a thread count as commercial fabric on a bolt. Before cutting into my fabric, I used a fusible interfacing which I just ironed onto the back side of the fabric. The interfacing has an adhesive which helps to secure the fibers in the yarn.
After doing this, I cut out two pieces from my woven fabric 7″ x 9″. I also cut two lining pieces from some stash fabric (an old pillowcase, actually!) also 7″ x 9″.
At this point, I followed the tutorial that I mentioned above (here it is again: (link) And voila, just a short time later, I had a pouch:
In the papercrafting section at my local store, I found some pretty watercolor looking paper in a cardstock weight that coordinated with the colors of my yarn. I cut some pieces that were about 3″ x 4″. I spent some time one evening writing down positive memories about my mom, one memory per card. It was fun and quite therapeutic.
One memory was: “when you threw up after riding the tilt-a-whirl at the fair”
I think my mom will enjoy reading through these, perhaps being reminded of things she’s forgotten or things she never thought I noticed.
Whether you’re a parent or a child, I hope this Mother’s Day is a good one for you!
If you’re like me, you love cables. Cables are especially exciting when the fabric is reversible. Yep, the Reversible Cable Blanket really is reversible (did you think we were kidding with that name?).
The backbone of this pattern simply is K2, P2 Rib framed by a border of garter stitch. Every 8 rows two sets of K2, P2 stitches are crossed, creating an elegant cable and reversible fabric. That’s really all there is to this pattern!
Cables, glorious cables!
Major is a perfect medium for this pattern. It’s quick to knit, incredibly soft, and easy to care for. Major is a bulky weight, 100% acrylic yarn that comes in a generously sized 200-gram ball. There are many beautiful, self-shading colors of Major ranging from perfect pastels to bold, vibrant beauties, and no-nonsense neutrals. It’s no wonder that this yarn is a customer favorite.
Better yet, this pattern is written in two sizes: a baby blanket and throw blanket size. Make one as a gift and another to keep for yourself. After all, you surely deserve to cuddle up to a squishy, cabled blanket.
When I decided to write a blog post today I was planning to focus on my Seamless Leaves pullover, but as I was taking photos, an idea popped into my head – why not share what everyone around the office is working on? I moseyed around the office asking our team about what they’re working on and whether I could take a few quick photos of their projects. Sadly, Yonca and Amy are out today (they surely deserve it after a busy weekend at Stitches West), so their own projects aren’t included.
Cottonwood is one of my favorite yarns. It’s eco-friendly and has so many beautiful colors to choose from.
I love so many of the projects in the new collection, Arboretum, featuring projects by the one and only Amy Gunderson using Fibra Natura Cottonwood. Each pattern in the Arboretum ebook is extremely wearable and tempting to cast on, especially when the temperature has been lingering in the 60s and 70s in North Carolina. I decided that I needed to cast on a Seamless Leaves pullover for myself, and I wanted a basic, black version. Because of my inclination to knit things in deeply saturated colors (especially warm colors), I just don’t have enough neutral garments in my wardrobe. This project is my perfect solution.
I love the lightweight fabric created by Cottonwood. It’s wonderfully smooth and even with stitch definition that makes the raglan details on this pattern shine.
Even unblocked and worked in such a dark color, these details look great thanks to Cottonwood’s superb stitch definition.
Our sales team seems to be having an affair with two-at-a-time socks, toe-up socks.
Left: Krista’s socks in Pix, Right: Katie’s socks in Allegro
Here’s what Krista had to say about her project:
“I’m always working on a pair of socks. Always. For this project, I am using one of my favorite yarns, Pix, in the Paisley print. They’re a plain vanilla pair (nothing but stockinette) using a basic short row heel. I love how Pix works up in patterns as I’m knitting. This yarn makes a simple project very fun. Socks are perfect on-the-go knitting to keep in my bag.”
Here’s what Katie had to say about her beautiful WIP:
“I enjoy making socks, but I have Second Sock Syndrome and never learned how to do two-at-a-time socks. Krista helped me with the cast-on and now I am loving it! I was even able to just knit at my daughter’s choir concert last night and didn’t mess up. Woohoo; progress! I love the elasticity of Allegro. I am using the color Grape Sonata. I decided to do ribbing over the arch instead of just stockinette stitch because I love my store-bought socks with the ribbing on the foot. We’ll see how it turns out!”
I’m sure they’re going to be perfect! If you’re also a sock knitter, you might be interested in one of our free sock patterns like this one, this one, or this one.
Finally, our social-media extraordinaire (and quite frankly, everything-extraordinaire!), Heather, showed me a deliciously squishy hat knit up in Poems Silk in the Baffin Island colorway. She told me she enjoys a simple hat project when she’s knitting at the movie theater. I have to say, this is always something that impresses me. Whenever I bring knitting to the theater I have the tendency to drop the occasional stitch or insert an unwanted yarn-over. Serious props to those of you who are successful in your endeavors in low-light knitting! Heather’s hat is looking great and we can’t wait to see the finished version.
That’s it for now. I hope you’ve enjoyed a little glimpse into some of our projects! We’d love to share more soon.
I have caught the Olympics fever big time this year. This past weekend, I did little more than drink coffee, binge-watch Olympic events, and of course, knit non-stop.
It’s important to have good knitting and tv companions. Charli is a big fan of the snowboarding half-pipe.
Ralph Lauren designed the closing ceremony knitwear and outfits for US Olympic team members, including this spectacular stranded hat. I’ve already seen some incarnations of this over on Ravelry.
credit: Ralph Lauren
It’s a great hat. I love the balance of color and the jaunty double tassel thing that’s going on at the top. But stranded knitting can be intimidating and also time consuming. If colorwork is your cup of tea (confession: it’s mine!), then I would recommend these colors in Deluxe DK Superwash for your take on this hat:
838 Twilight837 Christmas Red828 Pulp
But if you’re in the mood for a simpler project with just as much patriotic bang for your buck, how about the USA Hat & Cowl in Uptown Bulky Amplify:
U-S-A U-S-A
With just one skein of self-striping Amplify you can make this patriotic hat and cowl set. And on size 11 needles, this set goes so quickly you could make this project several times over before the closing ceremonies next weekend.
What’s on your needles this week as you cheer on your country?
Self-shading yarn never gets old for me. It’s so pretty and fun to watch the colors that emerge from a ball of colorful yarn. One of my favorite patterns in our Poems yarn is the Southwest Sky Afghan.
Three gorgeous colorways of Poems come together in this modular garter stitch piece. In each colorway of Poems, there are around 6 different shades, meaning in this blanket where there are 3 colorways, there are 18 different colors in the project! I believe that most any color combination could look really great in this throw. But it can be tough to just visualize what this might look like, so we thought it would be fun to see some other color combinations actually knit up.
Here are some small samples of three alternate colorways:
Colors 606 Time Travel + 604 Port of Spain + 591 VesuviusColors 616 Chevron + 609 Enchanted Forest + 615 CruiseColors 613 Shoreline + 612 Romance + 614 Piquant
The examples above either fall into the same color family (generally), or value-wise are similar. It could be fun to pick out only brights, or purples, or go for highly contrasting – sky’s the limit!
For the last installment of our blog series on our 12 Days of Winter Kit Collection, we’re unveiling the Twining Vines Cowl. Twining Vinesfeatures Amphora. It is a perfect yarn for colorwork because its gorgeous halo blends the fibers together seamlessly. The effect is almost like an impressionist painting.
In addition to carrying two colors throughout this pattern, you’ll also need to trap your floats. It’s simpler than you might think. This tutorial is useful for any stranded project. If you’d like a closer look at the images, simply click on them.
Notice the large number of white stitches between the blue stitches. This is an area you’ll want to “trap” or “catch” your float to prevent any snagging.Begin by knitting across your row as usual. Continue until you reach the section that requires trapping a float. Usually, an area that requires trapping floats will have more than five stitches.As a rule of thumb, I trap my floats every five stitches. I’ve knit across four stitches, and I will trap my float on the fifth stitch.Simply place your non-working yarn over the right-hand needle, but do not knit with it.Wrap your working yarn around the right-hand needle to knit. Make sure your non-working yarn (the blue yarn) is over the needle and the working yarn (the white yarn).Begin to knit the stitch. Notice how I’m holding the blue yarn. It is still above the white yarn, but it is not wrapped around the right-hand needle. Take care not to pull the non-working (blue) yarn through the stitch. Knit the stitch. As you can see, the blue yarn is still at the back of the work. You can continue knitting as usual after this. That’s really how simple it is!When you peek at the wrong side of your work, you’ll be able to see where you trapped the float. Notice the blue bump in the middle of the white stitches? That is where I’ve trapped the blue yarn underneath the white yarn.
Just like that, we’ve released all 12 of the patterns featured in our 12 Days of Winter Collection. We sincerely hope you’ve been enjoying our blog series highlighting each pattern. You can find the Twining Vines kit on our website here.
Now that you’ve seen them all, I’d also like to emphasize that tomorrow is Small Business Saturday. What better way to show your support for your local yarn shop than by stopping by to pick up one of our kits on Small Business Saturday?
One of the yarns I’ve fallen most in love with since joining the Universal Yarn design team is Fibra Natura Dona. This yarn is simply gorgeous. It is soft, plump, and has excellent stitch definition. We have a variety of great kits that use Dona, but I was excited when Amy asked me to contribute to our Color Kit lineup. My design is the Stratification Shawl.
I love the Spice Box palette. These are, without a doubt, my kind of colors. I love warm colors and earth tones. I spend much of my free time outdoors and draw inspiration from the colors and textures of landscapes. I already knew that I wanted to incorporate stripes into the design, so I revisited some photos for further inspiration.
The Spice Box palette made me reminisce about a trip I made to Red Rock Canyon National Conservation Area outside of Las Vegas, Nevada. During my trip, I was mesmerized by the beauty in the strata, or rock layers, in the landscape. Similarly, I loved the way flora sprinkled pops of color into neutral desert landscapes. I’ve included some of the photos that inspired me to include the bold green and coral stripes into the shawl.
This shawl is a pretty straightforward project. It features top-down construction and increases occur along the sides to create a crescent shape. An alternating sequence of simple stripes is elevated with a knit-purl stitch pattern. Dona shows off the stitch pattern perfectly. Finally, the shawl is finished with an I-Cord bind off. It is an excellent project for both beginning and more advanced knitters. I sincerely hope you enjoy this pattern as much as I enjoyed designing it!
Happy Halloween! Nothing will make you feel as though you’re creating a witches’ brew like dyeing with lichen. It’s a unique way to get into the holiday spirit.
In the second installment of the Natural Dye series, I’m going to show you how to use lichens as a natural dye. If you thought the marigold dye from Part I was fun, you will love this installment. Remember the foamy, magenta liquid in the jar from Part I? That’s the lichen dye.
This dye takes about a month to prepare, but it is well worth the wait. Something about it is magical because you’d never expect such a vibrant color to come from a leathery, grey-brown lichen.
For today’s tutorial you’ll need:
A glass jar – canning jars or recycled sauce jars are perfect
Measuring cups
Ammonia
Water
A handful of umbilicaria pepulosa (pictured below) – this type of lichen is abundant on boulders, and there are several variations. For results closest to mine, try to find this lichen. You may achieve different results with another variation, but that is part of the fun of natural dyeing!
Before you get started, I want to include a note on ethics and lichen dyes. Unlike our marigold tutorial, in which I grew and harvested my own plants, lichen dyeing requires you to search public and/or forested land. Be considerate and mindful of your impact on the land and how you may be disturbing the ecosystem. Do not collect more than you’ll need – a little goes a long way. Avoid scraping lichen from stones as much as possible as lichen is slow-growing and may not regenerate. I went out on a windy day over the weekend and found more than enough on the ground surrounding the boulders.
Once you have your lichen, you’re ready to go. To achieve a magenta dye from umbilicaria, an ammonia extraction is required. After you’ve collected your lichen, place your handful into a jar.
Next, create a 50/50 solution of water and ammonia. I’ve measured out 1 cup each. Pour the solution over the lichen, leaving about an inch of air at the top of the jar. You should notice the solution briefly change to a brilliant shade of red or purple that will fade to brown.
Notice the spot of color in the foam.
Close the lid tightly and shake to your heart’s content. Give the jar a few shakes each day for about three weeks. Once a week, take the jar outside and carefully remove the lid and swirl the contents of the jar to allow oxygenation. Repeat the process over the next few weeks until the liquid is purple or magenta. This process can take more than three weeks. Do not rush it– it is a practice in patience. I’ve dyed this way many times and have found that I can achieve a gorgeous dye after about a month.
Since I already have another jar of concentration ready to go, I’m going to dive into dyeing.
For this part of the tutorial you’ll need:
1 skein of Universal Yarn Ready to DyeSuperwash Merino Worsted Weight yarn.
Jar of concentrated dye
One stainless-steel pot that you don’t plan to use for cooking – I purchased mine for a few dollars at a thrift store.
Tongs – they don’t need to be stainless steel but choose some that you won’t use for cooking.
Measuring cups
Water
In Part I, you used a mordant to help fix the marigold dye to the fiber. That step isn’t necessary for this lichen. In fact, it can actually dull the color.
Fill a stainless-steel pot with 4-5 cups of water and place your yarn inside. Set aside for approximately 30 minutes.
Pour off approximately 1 cup of the concentration into the pot. Gently stir and turn the yarn to incorporate the dye into the water. I suggest you open your windows for ventilation as you’ll be warming an ammonia solution over the stove-top.
Bring water to just under a simmer. If you have a thermometer it should be about 190 F. Allow the yarn to soak in the dyebath for approximately one hour, occasionally turning the yarn gently with your tongs. Notice how brilliantly saturated the color becomes.
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Remove from the heat and allow the yarn to cool in the dyebath overnight.
Remove the yarn from the dyebath and thoroughly rinse. I do recommend a gentle detergent or wool wash as the ammonia can be quite pungent. Hang and allow to dry completely. Then, pat yourself on the back for your patience. I told you it was worth the wait!
I’m working on a pattern that uses the yarn from Parts I and II of the Natural Dye series. In the future, I’ll show you how to use natural dyes on some of our other Ready to Dye yarns.
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