This is part 12 in a 12 part series highlighting designs from our 12 Days of Winter, Series 2 Edition.
Day 12 – can you believe it? Today we reveal the final installment of the Universal Yarn 12 Days of Winter Kit Collections – Series 2! Say hello to the Solstice Shawl.
Can I be honest? I am really proud of this design – in my opinion, it’s one of my best designs and I sincerely hope you love it.
This isn’t a very complicated design, but what I feel proud of is the balance of simplicity and intricacy in the piece. This shawl combines cables, stripes, and intarsia. It is worked from tip to tip, starting and finishing with the same number of stitches (just two!). Finally, it’s finished with a very simple contrast color border.
Part of what makes this project special is the yarn used: Deluxe DK Tweed Superwash. I love this yarn. It’s rustic and the tweedy nubs add interest to every type of pattern – from simple garter to cables, lace, and stranded colorwork. (If you need convincing, just take a look at the recent collection in this yarn, Rustic & Refined).
I’m keeping this post short and sweet, but before I sign off, thank you’s are in order! Like last year we had a really wonderful time putting this collection together. It is a team effort, for sure. So thanks to everyone on our team for putting in so much hard work! And thank you so much for supporting our company, your local yarn shops, and for following our posts for this collection. We appreciate it so much!
Remember, you can find the 12 Days of Winter Kit patterns on Ravelry.
This is part 1 in a 12 part series highlighting designs from our 12 Days of Winter, Series 2 Edition.
We can hardly believe it’s already November. Knitting season is in full swing. Our needles and hooks are full of warm and woolly goodness. We’re preparing for the holidays – working tirelessly on special projects for friends and family. Here at Universal Yarn, we’ve also been working hard to create the second annual installment of a beautiful collection of wintry kits to welcome the season. So, at long last, we’re able to reveal the first of twelve special kits. Say hello to the 12 Days of Winter 2018 Collection!
I’m a big fan of stranded colorwork. It may take a backseat to knitting cables, but for some reason, I simply cannot resist a good pair of colorwork socks. The Mistletoes socks combine self-striping Adore Colors and Adore for a visually striking effect.
Notice the changes in color for the colorwork portions. That effect is created by Adore Colors.
Despite the beauty of stranded colorwork, many knitters find themselves intimidated. Like everything else in knitting, once you’ve done it you realize how simple it really is. If you haven’t done colorwork before I want to empower you to get your feet wet – if you have, I want to encourage you to learn a bit more! Let’s get down to it! I’ve compiled a list of tips and tricks to help you along the way.
Get comfortable with charts. This is something else that can intimidate knitters, but it’s essential for colorwork. I’d actually argue that colorwork is an excellent introduction to reading charts since you’re usually only looking at colors. Last year I included some tips and tricks for understanding charts. You can find the full post here (link).
Manage your yarn. Managing your yarn well when knitting colorwork can make the process so much more enjoyable. I recommend keeping each ball of yarn on a separate side to prevent unnecessary, annoying twists and tangles.
Notice one ball is placed on the left and one is placed on the right. This prevents them from twisting around one another.
Taking care of tension. This is probably the most important aspect of stranded knitting. To achieve the results you want, your tension should be even. Why? Floats. Since you’re carrying two strands of yarn across the back of your work, one of the yarns will always be “on hold” while you work stitches with the other color.
The right and wrong sides of the work. Notice the floats of yarn on the wrong side. They’re quite pretty!
If your floats are too tight, the fabric will pucker. Puckered fabric is considerably less elastic and will appear a bit bumpy – taking away from the beautiful patterning you worked so hard on. Not to worry, though! There are ways to ensure that your floats are even and not too tight. I’m personally a pretty tight knitter, so I use these techniques, too.
Use larger needles. First things first: swatch, swatch, swatch! Once you do, you’ll realize that your gauge in stockinette stitch is different than your gauge in stranded knitting. To combat the difference, changing needles helps a lot. Expect to use needles that are one to two sizes larger for stranded portions of your knitting. Most patterns, including the Mistletoes, will direct you to do this. However; that’s not always the case. Keep this in mind whenever you’re knitting colorwork.
Turn your work inside-out. This is exactly what it sounds like. By turning your work inside-out, your floats will be facing you while you’re knitting. It doesn’t change the actual knitting at all, but it’s a simple way to manage your floats. By carrying your floats on the outside, you’re allowing them a bit more room. This trick is simple, easy, and effective.
Notice the right side is on the inside of the round.
Notice that the wrong side of the fabric is facing outward.
Gently stretch your work. Chances are that you’ll sometimes have a stitch that’s a bit odd – perhaps a bit too tight or a bit too loose. You can rectify the issue by occasionally stopping to give the fabric a gentle stretch. Don’t be overzealous as that can cause stitches to get more uneven. A little goes a long way.
Gently stretch the work downward.Gently stretch the work horizontally.
Manually even out oddball stitches. Like I’ve mentioned above, there are instances where a stitch looks a bit wonky. If a gentle stretch doesn’t help you can manually pick the stitches around it to try and even things out.
Oh no! Look at this awful little stitch! It’s far too tight and hidden by the surrounding stitches. Good thing you can work some magic!Insert your needle behind the right leg and then the left leg of the naughty stitch.Once you’ve picked up both legs, gently tug on the stitch – give it a little wiggle.The naughty stitch has realized the error of its ways! You can now see the stitch very well and it looks lovely alongside its friends. Pat yourself on the back for a job well done!
Block it out! Blocking is magic. The process evens out stitches, so when you finish your work be sure to block it! Once the yarn blooms it will fill up any negative space in your fabric allowing your colorwork to shine! Just be sure to follow the care instructions on your yarn label so that you don’t unintentionally damage the fabric. Side note: we have a post to help you understand yarn labels, too. Find it here (link).
Look how pretty and even the colorwork is after blocking.
That’s it! I hope these tips and tricks will help you as you knit the Mistletoes or any stranded colorwork. Remember, you can find Series 2 of the 12 Days of Winter Kit patterns on Ravelry.
Perhaps my favorite collection we’ve released for fall so far is Light & Shadow. It’s a collection of gorgeous, incredibly wearable patterns knit in anti-pilling Uptown DK.
A lot goes into planning our pattern collections, and it’s always so exciting to see designs develop. Amy and I begin with a mood board. Then we move on to creating rough sketches. You can see a few of mine from our recent collections below:
From left to right: Small Pleasures using Bella Cash, Vibrance in Lace using Finn, and Light and Shadow using Uptown DK.
Naturally not every sketch makes the final collection. Amy and I work on numerous ideas separately, then we meet to share our ideas, select the designs that will be a part of the collection, and choose colors. Then we get hard to work on making these ideas a reality.
So, which designs made the final cut for Light & Shadow?
I have three designs in the collection. First up: Crossroads.
If I had to choose a favorite, this might be it. This design started with a bold cable from Norah Gaughan’s Knitted Cable Sourcebook. I didn’t want to just slap the pattern onto a sweater. I opted for a relaxed, cozy fit with drop shoulders, garter ridges, a split hem, and understated bishop sleeves.
The sleeves sit at bracelet length on our fantastic model, Jarin, however; it’s super simple to lengthen them as the shaping occurs just before the cuff.
I wanted to create the perfect, infinitely wearable turtleneck. I know not everyone loves turtlenecks, but I sure do! Northbound was initially imagined as a proposal for a print magazine before I started working at Universal. I loved it, so I held onto the idea – the Light and Shadow collection seemed to be a perfect match.
Northbound has some of my favorite design elements: set-in sleeves, saddle shoulders, seed stitch, and cables. If you love a simple design with thoughtful details, this pattern is for you.
My final design is perhaps the most unique: Topography.
Topography features sculptural welts that move diagonally across the sleeves. The effect is simpler to construct than you might expect.
The sleeves feature traveling twisted stitches that are used as a guide to creating the welts. After you’ve knit the sleeves, stitches are picked up stitches along the legs of the twisted stitches. Then you simply knit and graft. Easy-peasy. Not a fan of the welts? Just stick with the twisted stitches and you have a simple wardrobe staple.
The team is in Cleveland at the National Needlearts Summer Show, setting up booth 1032! We’ve got a lot of brand new things to share with our LYS friends, so we thought we’d tease folks a little with a glimpse of what we’re bringing.
Of course, we don’t want to give too much away. If you’re at the show, swing by booth 1032. We’d love to see you. Everybody else… stay tuned – there’s lots of good stuff on the way!
If you’re looking for a last-minute but thoughtful Father’s Day gift, you’re in luck. Today we’re sharing the Father’s Day Tie. This necktie takes just 36 grams of Deluxe DK Tweed Superwash!
I talk to my dad at least two or three times a week. He’s one of my best friends, and I feel so lucky for that. On top of that, my husband (and hesitant but equally gracious model for these photos) is a pretty fantastic dad to our dogs and cats. Yep – I am totally the kind of person who sees their pets as a ridiculously special part of my family.
Anyway, as we well know, Father’s Day celebrates all the great father figures out there. Yep, father figures – because it’s so important to recognize those that have played that role in our lives, regardless of a biological relationship. Whether that’s a spouse, friend, dad (or dog dad!), it’s important to take a moment to say thank you.
The Father’s Day Tie is knit flat primarily in linen stitch and features a spine of slipped stitches down the center. Paired with Deluxe DK Tweed Superwash, this accessory elevates an otherwise casual look. So what are you waiting for? Grab your needles and yarn and get started! You can find the pattern here (link).
You might remember that back in October I introduced the first post about my adventures in naturally dyeing our Superwash Merino Worsted Weight yarn. In that post (link), I gushed about how much I love the warm hues of autumn. Well, it’s spring now – though it certainly feels like summer here in Charlotte. That means it’s time to play with some yarns that are a bit more warm-weather friendly.
Today I’m using our soft and silky Universal Yarn Ready to Dye Merino Silk Sport Weight. It’s a gorgeous sportweight yarn with enough silk to make it appropriate for garments and accessories to throw over your shoulders on summer nights.
Whenever possible, I like to harvest dyes from the plants growing in and around my yard. I can choose what to grow, and there are endless ways I can experiment. Natural dyeing is, without a doubt, full of surprises, and you’ll understand what I mean when you see the results of my adventure with azalea dye.
I have a few azalea shrubs around my house. Just weeks ago they were full of brilliant pink blossoms, but now they’ve dried. I was plucking some weeds from my herb garden when it hit me: I have so many dried blossoms! Why not try to dye with them?
I grabbed a freezer bag and stuffed them full of the dried blossoms. Side note: If you use a freezer bag like I did (why didn’t I just grab a bowl?!), remember to simply rinse it and re-use it!
After collected my blossoms, I weighed them. I took into consideration the weight of the bag and ended up with approximately 37g. I could have collected more – I barely put a dent in my shrubs!
For today’s tutorial you’ll need:
1 skein of Universal Yarn Ready to Dye Merino Silk Sport Weight
Approximately 30-40g of dried azalea blossoms
Alum – you can find this in the baking/spices section of your grocery store.
Two stainless-steel pots that you don’t plan to use for cooking – I purchased mine for a few dollars at a thrift store.
Tongs – they don’t need to be stainless steel but choose some that you won’t use for cooking.
A kitchen scale – I can’t recommend this one enough. Although it isn’t essential, if you’re a knitter, you should have one! It’s useful for much more than dyeing.
Measuring cups/tablespoon
White distilled vinegar
Salt
Water
Step 1: Create a mordant and soak your yarn. You can find specific instructions for creating a mordant in my first post (link here). If you’ve been following along and have a jar of mordant already, simply reuse the solution.
Step 2: While your yarn is soaking, prepare your dyebath.
Fill your stainless-steel pot with enough water to allow your yarn to flow freely.
Dissolve 1 tbsp of salt into the water.
Pour ½ cup of vinegar into the water – salt and vinegar help to brighten the dye.
Add your azalea blossoms and use the tongs to stir the pot.
Bring to a simmer over your stovetop. Allow simmering for 30 minutes to an hour.
Lower the temperature so that the water is just under a simmer. If you want a specific temperature, you’ll want the water to be about 190 degrees F.
You can see that the dyebath turned into a rosy color.
Step 3: Remove your yarn from the mordant bath, gently squeezing the excess mordant from the yarn.
Step 4: Carefully place your yarn into the dyebath.
Step 5: Allow the yarn to soak in the dyebath for about an hour. Turn off the heat and set the pot aside. Do not remove the yarn yet.
Step 6: Allow the yarn to cool in the dyebath – I let mine cool overnight.
Step 7: Remove your yarn and rinse thoroughly. I recommend stepping outside and giving it a few vigorous shakes to remove the remaining plant matter.
Before I reveal the yarn, I want to take a moment to emphasize how surprising natural dyeing can be. As you can see, the color of the dyebath was initially pretty pink. After about an hour it looked much more like a silvery-purple. I was really excited about those results. Even when the water cooled it remained a deep purple.
So, you might imagine my surprise when I discovered that my azalea dye turned into this…
Isn’t it the loveliest shade of green? I’m over the moon about the results of this dye experiment, and I’m sure I’ll be using azaleas for dyeing again soon. The transformation is pretty stunning.
With Spring coming, we want to highlight a great yarn for warm weather.
Yashi is 100% raffia. It has a papery but soft feel and works great for accessories and home decor. Yashi Iro is its multi-colored companion, dyed in shades that coordinate with the solids. Our Sales Director Yonca has made a video to tell us all about it.
In the video, she mentions Rick Mondragon’s Japanese Knot bag, which is now available as a free pattern on our website.
This was originally available for STITCHESWest attendees, and we’re very grateful to Knitting Universe for sharing it with us. By the way, if you haven’t been to a STITCHES show yet, put it on your to-do list. They’re a blast.
You can find the Japanese Knot Bag pattern at this link.
We hope you enjoy this fun free crochet pattern. Happy crafting!
Mother’s Day is tomorrow! Are you ready? Me neither! Fortunately, Amy came up with marvelous way to put together a handmade gift from your stash in a flash. Yarn art!
Step one is to find an image that you want to use and draw or trace it onto your card. We used a cut-down sheet of foam core board. We’re going to be using adhesive for this craft, so construction paper or thinner paper is a little iffy – we don’t want it to buckle or ripple from the moisture of the glue.
Amy freehanded her design, but you could also use clip art. You can see it above with a couple of flowers already filled in with Bamboo Pop. We’ll show you how to do that in the next step!
Outline your design with glue (we used Alene’s clear gel tacky glue). It’ll be easier to do a small section at a time rather than the whole thing – it’s easy to accidentally smear your yarn through the glue if the whole card is covered in it.
Position your yarn over the outline and stick it down. We used the point of a pencil to press the Bamboo Pop to the card. It keeps glue off the fingers and it’s more precise.
After you do your outlines, fill in the area inside, then if you wish you can cover any remaining space. Be as creative as you want. Incorporate straight lines, whirls and swirls, unusual colors or shapes – it’s all up to you!
I love the touch Amy included of the chain stitch around the edge of the card!
Finish it off with a personalized message on the back. Draw your own, or use clip art or illustration from the internet.
Voila! A personalized card that you made yourself without making yourself crazy. We’ll hope that Amy’s mom gets the card before she reads this post!
