This generously sized stole/shawl/scarf is knit in one piece from one end to the other. It uses Deluxe Chunky in my favorite heathered shade of gray, #91903 Charcoal Heather. On a size 10 needle, this is a project that isn’t going to take until next winter, either.
This project goes to show that rectangles do not have to be boring! The lace pattern in the main body of this stole uses centered double decreases which create angles on both cast-on and bind-off edges. The garter edging on each side also forms points, which brings me to the next thing I love about this piece – it is so easy to block!
To block, the easiest method is to use blocking wires and pins. You could also use pins by themselves on a blocking board. But I find it’s much easier to use the wires because I can stretch the item more evenly.
Because all four edges of the stole have points on them, I ran wires through the tips of these points, and then pinned my wires to a blocking board which stretched the whole thing out evenly. It’s almost always very important to block lace in order to open up the fabric, and also to even out the stitchwork.
Never used blocking wires before? This might be a good project to get started! I bet your LYS carries them – just ask!
Remember, you can find Series 2 of the 12 Days of Winter Kit patterns on Ravelry.
This is part 3 in a 12 part series highlighting designs from our 12 Days of Winter, Series 2 Edition.
Hats make such a satisfying knit. They’re small and portable, make great gifts, and they’re a fun medium to try out a new technique with.
The We Three Hats pattern (pattern link) includes three different hat patterns that can be made out of three colors of Deluxe Worsted Tweed Superwash. All hats are knit from the brim up to the crown. Each hat is a bit different, but one thing they all have in common is a coordinating pom-pom.
To pom-pom or not to pom-pom: that is the question.
And for me, the answer to that question will inevitably be: heck yes! I love pom-poms, all sizes. I have made many pom-poms in my life using lots of different techniques. I’d like to share with you my favorite way to make a pom-pom, along with a few little tips.
I’ve also used a homemade cardboard circle variation of this pom-pom maker shown in the photo. But I do love Clover’s manufactured sets. They come in lots of sizes and are pretty foolproof. Plus, they hold up a lot better than cardboard!I like to use two strands of yarn because it makes wrapping the pom-pom maker go twice as fast. I use yarn from the inside and outside of the ball.To begin, open up the hinges from both discs, along one side of the pom-pom maker. Begin wrapping yarn around both sides of the arced plastic pieces.Continue wrapping yarn around the maker with even tension.Think you’ve wrapped enough? Think again! Wrap yarn until it feels like the pom-pom maker is over-full. I usually try to count my wraps on one side so I can match the number on the following side.This thing is wrapped as much as possible. Time to wrap the other side. Be sure to finish on the end as shown, so you carry the yarn to the other half of the maker to continue wrapping.Close the side of the maker that is now wrapped in yarn and open up the other hinged side.Start wrapping this second side as much as you did the first side.This is going to be a beautiful and full pom-pom. I can tell already!Cut the yarn. There is no need to leave a tail. But also cut two 12″ strands of yarn to set aside for later to secure the pom-pom.Start cutting the pom-pom. The Clover pom-pom makers are very easy because you just cut in the groove between the two discs. Sharp scissors are a must for this step.Cut all the way around the first half of the maker freeing these strands.Then cut around the second half. Take care that the two halves of the pom-pom maker do not come apart yet. The strands are not yet secure.Our pom-pom, unsecured, but cut. Not too pretty yet, but we’re getting there!Take those 12″ strands that you set aside from earlier and tie them around the pom-pom, along the same groove where you cut apart the strands. I like to use two strands for this step because I like a full pom-pom, and there will be a lot of stress put on this tie yarn. If the yarn you’re using to make your pom-pom breaks easily, use a different yarn for the tie like linen, cotton, or acrylic. Two strands of my working yarn (Deluxe Worsted Tweed Superwash) were plenty strong enough in this case.It is now safe to remove the pom-pom maker from the pom-pom.It’s looking pretty good, but needs a little haircut to even out the edges.Voila. Pom-pom!
Remember, you can find Series 2 of the 12 Days of Winter Kit patterns on Ravelry.
This is part 2 in a 12 part series highlighting designs from our 12 Days of Winter, Series 2 Edition.
Meet the Illusion Throw (pattern link)! Made using machine washable Uptown Worsted, this throw is squishy, resilient to pilling (perfect for everyday use!), and the perfect size to throw over your couch.
This graphic throw is inspired by one of my other favorite crafty things: quilting. Illusion Throw is definitely not like your grandmother’s quilt. Rather, it is a knitted interpretation of some beautiful modern and graphic quilts I’ve seen out there in the world.
I wanted to create a project easy enough for beginners (so no complicated shapes or shaping) but entertaining for more experienced knitters, too. The stitches themselves are easy – there is nothing more than knit and purl going on here.
The color changes – where white shifts to light gray and then to dark gray – this is achieved using the intarsia technique. I feel like intarsia sometimes has an unpleasant reputation, but it’s actually very simple to do. And there are only a few color changes on each row, so there is no need to have a thousand bobbins hanging off the back of your work.
To change colors with intarsia, all you’re doing is dropping the color you were using, picking up the new color behind the old one (to prevent any gaps or holes in your work) and knitting on. That’s it!
Remember, you can find Series 2 of the 12 Days of Winter Kits patterns on Ravelry.
This is part 1 in a 12 part series highlighting designs from our 12 Days of Winter, Series 2 Edition.
We can hardly believe it’s already November. Knitting season is in full swing. Our needles and hooks are full of warm and woolly goodness. We’re preparing for the holidays – working tirelessly on special projects for friends and family. Here at Universal Yarn, we’ve also been working hard to create the second annual installment of a beautiful collection of wintry kits to welcome the season. So, at long last, we’re able to reveal the first of twelve special kits. Say hello to the 12 Days of Winter 2018 Collection!
I’m a big fan of stranded colorwork. It may take a backseat to knitting cables, but for some reason, I simply cannot resist a good pair of colorwork socks. The Mistletoes socks combine self-striping Adore Colors and Adore for a visually striking effect.
Notice the changes in color for the colorwork portions. That effect is created by Adore Colors.
Despite the beauty of stranded colorwork, many knitters find themselves intimidated. Like everything else in knitting, once you’ve done it you realize how simple it really is. If you haven’t done colorwork before I want to empower you to get your feet wet – if you have, I want to encourage you to learn a bit more! Let’s get down to it! I’ve compiled a list of tips and tricks to help you along the way.
Get comfortable with charts. This is something else that can intimidate knitters, but it’s essential for colorwork. I’d actually argue that colorwork is an excellent introduction to reading charts since you’re usually only looking at colors. Last year I included some tips and tricks for understanding charts. You can find the full post here (link).
Manage your yarn. Managing your yarn well when knitting colorwork can make the process so much more enjoyable. I recommend keeping each ball of yarn on a separate side to prevent unnecessary, annoying twists and tangles.
Notice one ball is placed on the left and one is placed on the right. This prevents them from twisting around one another.
Taking care of tension. This is probably the most important aspect of stranded knitting. To achieve the results you want, your tension should be even. Why? Floats. Since you’re carrying two strands of yarn across the back of your work, one of the yarns will always be “on hold” while you work stitches with the other color.
The right and wrong sides of the work. Notice the floats of yarn on the wrong side. They’re quite pretty!
If your floats are too tight, the fabric will pucker. Puckered fabric is considerably less elastic and will appear a bit bumpy – taking away from the beautiful patterning you worked so hard on. Not to worry, though! There are ways to ensure that your floats are even and not too tight. I’m personally a pretty tight knitter, so I use these techniques, too.
Use larger needles. First things first: swatch, swatch, swatch! Once you do, you’ll realize that your gauge in stockinette stitch is different than your gauge in stranded knitting. To combat the difference, changing needles helps a lot. Expect to use needles that are one to two sizes larger for stranded portions of your knitting. Most patterns, including the Mistletoes, will direct you to do this. However; that’s not always the case. Keep this in mind whenever you’re knitting colorwork.
Turn your work inside-out. This is exactly what it sounds like. By turning your work inside-out, your floats will be facing you while you’re knitting. It doesn’t change the actual knitting at all, but it’s a simple way to manage your floats. By carrying your floats on the outside, you’re allowing them a bit more room. This trick is simple, easy, and effective.
Notice the right side is on the inside of the round.
Notice that the wrong side of the fabric is facing outward.
Gently stretch your work. Chances are that you’ll sometimes have a stitch that’s a bit odd – perhaps a bit too tight or a bit too loose. You can rectify the issue by occasionally stopping to give the fabric a gentle stretch. Don’t be overzealous as that can cause stitches to get more uneven. A little goes a long way.
Gently stretch the work downward.Gently stretch the work horizontally.
Manually even out oddball stitches. Like I’ve mentioned above, there are instances where a stitch looks a bit wonky. If a gentle stretch doesn’t help you can manually pick the stitches around it to try and even things out.
Oh no! Look at this awful little stitch! It’s far too tight and hidden by the surrounding stitches. Good thing you can work some magic!Insert your needle behind the right leg and then the left leg of the naughty stitch.Once you’ve picked up both legs, gently tug on the stitch – give it a little wiggle.The naughty stitch has realized the error of its ways! You can now see the stitch very well and it looks lovely alongside its friends. Pat yourself on the back for a job well done!
Block it out! Blocking is magic. The process evens out stitches, so when you finish your work be sure to block it! Once the yarn blooms it will fill up any negative space in your fabric allowing your colorwork to shine! Just be sure to follow the care instructions on your yarn label so that you don’t unintentionally damage the fabric. Side note: we have a post to help you understand yarn labels, too. Find it here (link).
Look how pretty and even the colorwork is after blocking.
That’s it! I hope these tips and tricks will help you as you knit the Mistletoes or any stranded colorwork. Remember, you can find Series 2 of the 12 Days of Winter Kit patterns on Ravelry.
This here’s the story of a girl named Sue. No, the lady in the glasses isn’t Sue…
Sue is the fuzzy yeller dawg. (I’m a native Southerner. I can – and do – talk this way sometimes). The Southern belle in the vest is Krista. She’s a talented crafter, and was kind enough to model this camo crochet vest in Uptown Worsted Tapestry, with a knit border in solid Uptown Worsted.
This vest was first worn by Lily Chin as a presenter at Stitches, and now we’re releasing it as a free pattern to you!
Handy pockets, applied at finishing!
But wait, there’s more!
A crocheted quacker to match!
Sue says the duck should be hers, but we think that’s just a mallard of opinion.
Well, if she wants it that bad, it won’t ruffle our feathers. Better to play with the duck than our stash.
Yesterday the opportunity to enter the giveaway for two skeins of our latest yarn, Bella Cash Worsted, came to a close. As promised, we have two winners: Cass and Kim T! A heartfelt congratulations to both of you!
That’s right – “cash” is short for cashmere. Mmmm
Curious what these lucky winners plan to make?
Cass commented: “I would make a shawl and matching fingerless gloves for my sister!”
We love that you’re planning to treat yourself and a loved one. That’s what crafting is all about, right?
Kim said she “would love to make some fingerless gloves” and that she’s “been trying to find the right yarn for this project.” Problem solved!
Thank you so much to everyone who entered the giveaway. It has been so fun to read about the things you’d like to make. Here’s a breakdown of some of your project plans:
With 21 comments about cowls, they seem to be the top choice! Like we mentioned before, the Cayuga Cowl was designed just for this yarn, so it’s the optimal choice!
Cayuga Cowl in Bella Cash Worsted
Fifteen of you plan to make a scarf.
Might we suggest the Broken Garter Scarf by Amy Gunderson? This simple scarf has some really gorgeous results! The yarn is a bit thicker than the recommended Deluxe Worsted Superwash, so you might want to grab a third ball of each color, but how cozy would it be to wrap that scarf around your neck this winter?
Thirteen of you plan to make some mittens or fingerless gloves. We have a pair of mittens using this yarn coming your way, but we also think the Nutmeg Mittens would look great!
Nutmeg Mittens
Eight of you plan to make a hat. We’re busy working on pattern support for this yarn, and I can tell you we have a lovely hat design by Heather Hill coming your way very soon.
Can’t wait to cast on? We have some other options, too! Maybe you’re a cable fanatic? How about the Cold Mountain Hat or the Hazy Hat? Both of these would look beautiful in Bella Cash Worsted.
Cold Mountain Hat
What an excellent variety of accessories! We hope you’ll share your projects with us. Thanks again for entering our giveaway!
I knit, crochet, sew, weave, and do a lot of other random crafty things. Dyeing, however, has been unexplored territory for me. When my good friend Sandi asked if I’d like to join her for an indigo dyeing class at LYS Cheers to Ewe, I said yes immediately. I love trying new things! So please keep in mind, this post is absolutely not written by an expert yarn dyer.
We happen to sell a nice variety of yarn especially for hand dyeing. Appropriately enough, we call it our “Ready to Dye” collection of yarns. I chose two skeins of our 02 Wool/Nylon blend to dye.
This class was taught by local fiber artist, Sue Helmken. When Sandi and I showed up for class with our yarn, Sue was already preparing indigo dye baths. This is a process that involves carefully mixing water, soda ash, salt, sodium hydroxide, and indigo. Though I’m fascinated by the science of it all, I was just as happy to be able to show up, dye my yarn, and skip the prep. But this is something I would love to explore more in the future. If only there were more hours in the day!
Since all of our hanks of undyed yarn looked the same, we had to tag skeins with our initials to tell them apart.
I plan to do a weaving project with my beautiful blue yarn, so I thought it would be fun to dye the hanks a bit differently.
Squeezing out the dye from my yarn. Even with gloves, I still managed to leave with blue arms!
To achieve different effects in the two hanks, I processed one of them in the dyebath twice for a deeper color. And for the other, I tied off a few spots tightly so that the dye wouldn’t reach them, and only processed it once.
The results were just what I expected. That’s always nice!
I’m planning to use one skein for warp and one for weft in a weaving project. Stay tuned!
A long, twisted rib upturned brim gives way to a basic stockinette body. The difference in gauge between the two stitches means that the rib fits snugly, but the variegated Bamboo Bloom section is slouchy. A neat solution to achieving the perfect fit.
We’ve shown it in two color options here, but I’m about to cast on for one for a friend, using an orange Deluxe Worsted Superwash for the base and Bamboo Bloom Handpaints 317 Sensei for the body.
It seems like autumn weather came overnight in Charlotte. One moment we were experiencing hot, humid temperatures, and today I’m sitting in my office wearing the Northbound Sweater from the Light and Shadow ebook. It’s officially sweater weather!
What better way to celebrate sweater weather than with a new design? I’m pretty excited to share that I contributed the Surprise to the Deep Fall issue of Knitty (link). I’d love to share a little more about this design and its inspiration.
Originally this idea was born from the idea of water, based on a submission call. I was really happy with the idea, so when Amy and Jillian of Knitty gave me the opportunity to explore that idea further, I was thrilled. And so, the Masten Cardigan was born. I chose Deluxe DK Superwash for this project because I wanted it to be light yet warm, hard-wearing yet comfortable against my skin. It’s a great yarn for it, and I know this design will be a favorite for years to come.
Amy Gunderson captured the face of a thrilled Rachel Brockman.
The leaning cables that adorn this cardigan are the most prominent feature. I love them! The more I worked on them, the more they reminded me of archival images of timber booms. Time for a fun fact: I used to volunteer at the Pennsylvania State Archives. I loved it – it was quiet, careful work that simply captivated me (not far off from the same thing knitting offers!). Most of my volunteer work involved land records. It included rehousing and preserving old maps, cleaning and organizing photos, and, finally, creating descriptions for those artifacts. Maybe not for everyone, but I certainly loved it. Some of the images I was most fascinated by were negatives I digitized from the lumber industry in northern Pennsylvania; specifically in the Endless Mountains Region. These photos captured the history of the lumber industry there.
Susquehanna Boom
Hopefully, you can see why the cables reminded me of log booms. Pictured above is the Susquehanna Boom. You can find more historic photos of the timber industry in Pennsylvania here (link). The cables push into and away from one another, completely covering the sweater.
Boom! Look at those cables!
For color, I went with our gorgeous Deluxe DK Superwash in 856 Teal Rustic. It seems fitting for a water and lumber inspired sweater, right? With that said, as a lover of orange, I couldn’t resist some fun afterthought pockets using 803 Terra Cotta.
Terra Cotta pockets!
Finally – what would a sweater like this be if it didn’t have some wooden buttons? The Masten Cardigan features Summit Buttons by Katrinkle’s Knitting Jewelry, who very kindly provided me with the buttons for this design. With plenty of colors of Deluxe DK Superwash to choose from and plenty of button options to compliment those colors – you’ll be good to go. What are you waiting for? This pattern is free, so get your yarn and cast on today!
